Ryan M. Moore

© 2001-2010 Ryan M. Moore. All about makin' movies and writin' stuff. Updated sporadically at the moment.

Entourage:2039 Chapter 23: Vincent and Ari in the Spirit World (part four)

Is this all weird, confusing and a little scary for you? Start at chapter one.

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Vince and the girl visit the production’s barn and quietly retrieve the “Unicorn” – the flawless white horse presented to Vince in the film, now without its horn, of course. They lead the horse along the path to the small stand of forest being used for the shoot, and then, to Ari’s growing amazement, they take off their shoes and walk barefoot into the trees. A little way in, they come to a clearing, where moonlight is shining down on the blue grass. Ari hangs back among the trees, like the multiple-personalities serial killer in eight of the scripts currently piled on his desk. Vince and the girl stand in the moonlight and- they just talk to each other. Ari can’t believe this shit. They’re just talking. Now the girl is holding Vince’s hand, and rubbing her other hand on the back of his neck, and she whispers something in his hear. And… is he?? Is Vincent Chase crying??

Ari tries to turn away – he’s seen enough – but before he can he sees the girl take out some kind of horrible New Mexico turquoise-and-crystal necklace, and he sees Vincent bow his head so she can place it around his neck.

The next morning, Ari is ready to go: he’s seen more than enough. He shakes hands with Vince, and leans in to a half-hug, yelling in his ear to be heard over the prop wash of the waiting helicopter.

“You’re fine. Everything’s going to be OK.” Ari tells Vince, even though the commitment plan is now fully formed in his head- even though he already made a few phone calls to exclusive private facilities when he awake at four thirty a.m. that morning. As turns and walks towards the helicopter, Ari feels good: He is never more true to himself than when he is lying to someone.

And as Vince watches his friend recede into the sky, he feels good too, because he is never more true to himself then when he is telling someone what he wants to hear, when he is being what the world wants him to be.

And just like that, it’s over. Ari sits bolt upright in the California King of the black hotel suite with the black windows in the heart of the black Santa Monica night, with his black heart beating two hundred times a minute in his chest- but fuck that, because he’s still alive he’s still here he’s still Ari Gold who does what needs to be done and runs straight into the guns of the enemy and takes it in the gut, like a soldier.

And Vincent is back: falling into the ocean, and then he’s in the black water and it’s in his lungs and he can’t breathe but he’s not afraid and he sits straight up in the bedroom of the derelict house floating on the dead sea of the night desert, and the girl Mary is there, and she’s been watching him, and everything is new.


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Hi.

My name is Ryan. I'm a writer and filmmaker. This is my blog. Right now, updates are sporadic because I'm working on two new film projects and finishing off a feature script, while trying to get my music video "Let It All Burn Down" into more festivals.

This is meant to be a professional blog, so there won't be any ramblings about how my day is going. If you want that (and why would you, really?), you can find me on Twitter. There will be sketch and film scripts, video clips, fiction, and sometimes travel writing and photography. I am interested in a lot of things, but writing and directing feature films is my long-term focus. I'm currently seeking representation (agent and/or manager), both as a writer and a director.

I'm also looking for people to collaborate with on a variety of things. If it seems like we'd be on the same page in some way, let me know. I don't want to get too specific; this isn't a Craigslist ad.

Email me at 20thstreetfilms[at]gmail.com if you have any questions or comments.